theater | Page 2


Long Wharf Theater Leader Is Accused of Sexual Misconduct

Long Wharf Theater Leader Is Accused of Sexual Misconduct

Long Wharf Theater, in New Haven, has been a prominent American stage company for decades, earning the Tony Award for best regional theater and regularly transferring productions to Broadway.

Lesley Manville Has Waited Long Enough

Lesley Manville Has Waited Long Enough

Lesley Manville plays the morphine-addicted mother in Eugene O’Neill’s “Long Day’s Journey Into Night.”

Review: The ‘Dolly’ Parade Marches On, Now With a New Star

Review: The ‘Dolly’ Parade Marches On, Now With a New Star

Bernadette Peters, who is taking over the role of Dolly Levi in “Hello, Dolly!” from Bette Midler. The hit musical revival introduced four fresh principals on Thursday evening.

Review: Is Edward Albee ‘At Home at the Zoo’? You Bet He Is

Review: Is Edward Albee ‘At Home at the Zoo’? You Bet He Is

Robert Sean Leonard, left, and Paul Sparks in “The Zoo Story,” the one-act that is the second half of “Edward Albee’s At Home at the Zoo” at the Signature Theater.

Review: ‘The Royal Family of Broadway,’ This Time in Song

Review: ‘The Royal Family of Broadway,’ This Time in Song

From left: Arnie Burton, Laura Michelle Kelly, Hayley Podschun, Harriet Harris, Holly Ann Butler, Will Swenson and Kathryn Fitzgerald in “The Royal Family of Broadway” at Barrington Stage.

In This ‘Oklahoma!,’ She Loves Her and He Loves Him

In This ‘Oklahoma!,’ She Loves Her and He Loves Him

Left: Alfred Drake and Joan Roberts as Curly and Laurey in the 1943 Broadway production of “Oklahoma!” Right: Royer Bockus as Laurey and Tatiana Wechsler as Curly in the Oregon Shakespeare Festival production.

In This Play About Race, ‘People Need to Be Uncomfortable’

In This Play About Race, ‘People Need to Be Uncomfortable’

The playwright Jackie Sibblies Drury, right, with the actress MaYaa Boateng, at Soho Rep, where “Fairview” is being staged. Some say the play goes too far, and others say it doesn’t go far enough.

When the ‘Mean Girls’ Were Teen Girls

When the ‘Mean Girls’ Were Teen Girls

Ashley Park, Taylor Louderman and Kate Rockwell, now starring in “Mean Girls” on Broadway, in their own high school yearbook photos.

What Radicalizes Young Men? This Show Tells You via WhatsApp

What Radicalizes Young Men? This Show Tells You via WhatsApp

“The Believers Are But Brothers,” a hit in the Edinburgh Festival Fringe last year, is now at the Bush Theater in London.

New York Has Its ‘Jerry Springer’ Moment, With Arias and Dancing

New York Has Its ‘Jerry Springer’ Moment, With Arias and Dancing

Terrence Mann, as the title character in “Jerry Springer — The Opera,” was lifted up by the cast during rehearsal for a scene about good versus evil.

Review: George and Martha Redux in ‘Everyone’s Fine With Virginia Woolf’

Review: George and Martha Redux in ‘Everyone’s Fine With Virginia Woolf’

From left: Vin Knight, Mike Iveson, April Matthis and Annie McNamara in the Elevator Repair Service production of “Everyone’s Fine With Virginia Woolf” at the Abrons Arts Center.

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice

From left, Kyle Beltran, Enver Gjokaj and Rebecca Naomi Jones in “Fire in Dreamland,” Rinne Groff’s new play at the Public Theater.

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway

Glenda Jackson, taking a break from rehearsals for “Three Tall Women,” which will mark her return to Broadway after 30 years.

At 90, Hal Prince Dishes on ‘Fiddler,’ ‘Cabaret’ and Reining In Ambition

At 90, Hal Prince Dishes on ‘Fiddler,’ ‘Cabaret’ and Reining In Ambition

Front row from left, Hal Prince, Jan Horvath, Andrew Lloyd Webber and Cameron Mackintosh celebrating Mr. Prince’s 90th birthday after a performance of “The Phantom of the Opera” earlier this month.

Tennessee Williams, Restless and Revising

Tennessee Williams, Restless and Revising

Clockwise from top left: Tennessee Williams in New York in 1965; a typescript of “The Glass Menagerie”; a program for “A Streetcar Named Desire”; a self-portrait; a window card for “Cat on a Hot Tin Roof” on Broadway; a typescript draft related to the foreword for “Orpheus Descending.”


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